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The Social History of Smoking

George Latimer Apperson

Chapter 5:

At the time of the Restoration tobacco-boxes which were considered suitable to the occasion were made in large numbers. The outside of the lid bore a portrait of the Royal Martyr; within the lid was a picture of the restored king, His Majesty King Charles II; while on the inside of the bottom of the box was a representation of Oliver Cromwell leaning against a post, a gallows-tree over his head, and about his neck a halter tied to the tree, while beside him was pictured the devil, wide-mouthed. Another form of memorial tobacco-box is described in an advertisement in the London Gazette of September 15, 1687. This was a silver box which had either been "taken out of the Bull's Head Tavern, Cheapside, or left in a Hackney Coach." It was "ingraved on the Lid with a Coat of Arms, etc., and a Medal of Charles the First fastened to the inside of the Lid, and engraved on the inside 'to Jacob Smith it doth belong, at the Black Lyon in High Holborn, date August 1671.'"

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The Social History of Smoking

George Latimer Apperson

Chapter 9:

Byron is reputed to have been another cigar-smoker. His apostrophe to tobacco in "The Island" (1823), a poem founded in part on the history of the Mutiny of the Bounty, is familiar. The lines are, indeed, almost the only familiar passage in that poem:

Sublime tobocco!
which, from east to west,
Cheers the tar's labours or the Turkman's rest;
Which on the Moslem's ottoman divides
His hours, and rivals opium and his brides;
Magnificent in Stamboul, but less grand,
Though not less loved, in Wapping or the Strand:
Divine in hookas, glorious in a pipe,
When tipp'd with amber, mellow, rich, and ripe;
Like other charmers, wooing the caress,
More dazzlingly when daring in full dress;
Yet thy true lovers more admire by far
Thy naked beauties—Give me a cigar!

How far these lines really represent the poet's own sentiments, and whether he habitually smoked either cigar or pipe, is another matter.

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